Concept
Each attraction has a concept, plot, story, or backstory, one that is not necessarily the same quality as the ride itself. Questionable concepts can become great attractions, and great concepts can transform into mediocre rides. It is a lot harder to achieve the former then it is to suffer the latter. In this way, concepts are like ideological blueprints for attractions. In the case of an attraction for the Mexico Pavilion, the strongest concept would be one that strives to entertain and inform people about Mexico the most.
El Rio Del Tiempo:
Sail a river of time through Mexico's past, present and culture.Gran Fiesta Tour:
Fine feathered caballeros of the South, Panchito the Mexican Rooster and Jose the Brazilian Parrot, lose their fellow caballero Donald Duck in Mexico, and you join their race through the country to find their friend in time to perform their Gran Fiesta Tour concert.--------------------------------------------------------------
Right off the bat, El Rio Del Tiempo scores with its straightforward concept; you are sailing on a river of time through Mexico. Gran Fiesta Tour's concept is an unnecessarily specific backstory, one that doesn't allow for a completely immersive experience but simply riding on a boat with a third-person perspective on the story involving the Three Caballeros. The River of Time takes this round.
El Rio Del Tiempo: 1 Gran Fiesta Tour: 0
Execution
There is no straightforward method of determining how well an attraction is executed, since everybody has different opinions on what works and what doesn't work in an attraction. In my opinion, an EPCOT Center attraction should strive to be as sophisticated as it is fun, make its message clear without being condescending, and always trust its audience. EPCOT Center was initially built for a more adult audience, so its attractions should be geared towards adults who are still children at heart, and for children who want to be treated more as adults. And finally, an EPCOT Center attraction should above all strive to entertain and inform in equal and exemplary parts.
Of course, no modern Epcot attraction has been constructed by EPCOT Center standards. But EPCOT Center's message and the way it presented is every bit as relevant, resonant, and crucial to understanding ourselves and our future as it was in 1982. So there is no excuse for any recent Epcot attraction being held to different standards then the EPCOT Center attractions they replace.
Of course, no modern Epcot attraction has been constructed by EPCOT Center standards. But EPCOT Center's message and the way it presented is every bit as relevant, resonant, and crucial to understanding ourselves and our future as it was in 1982. So there is no excuse for any recent Epcot attraction being held to different standards then the EPCOT Center attractions they replace.
El Rio Del Tiempo
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| (Rain0975 on Flickr) |
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| (Sam Howzit on Flickr) |
The entering of the mysterious ruins, a dark tunnel filled with mist and ancient murals painted on the walls, and a welcome to the Mexico of ancient times by a ghostly Mayan priest seemed to be a gradual build to even more great and mysterious places on the River of Time. But then it all went wrong.
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| A big thank-you to Foxxy for this picture |
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| (Doobie and Rebekah from Laughing Place) |
The Mexico of ancient times proved to be a Mexico of screens, with films of dancers and performers in Pre-Columbian attire that all too obviously showed their late-70s date. In a rare example, the Imagineers left too much to the imagination, providing far too little of an explanation as to what the heck was going on in the films. The films didn't even have the benefit of carefully constructed sets that put the film into "real" space, like If You Had Wings. So many myths and achievements of early Mexico, like the fight between the gods of light and darkness, and the studies of mathematics and astronomy, were lost in the confusing maze of interpretive dancers, film and ruins.
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| (vmpyr_david on Flickr) |
The next segment of the ride inexplicably could be summed up as "It's a Small World meets Day of the Dead", with a repetitive, cheerful song, animatronic dolls of Mexican children celebrating, and a bright and warm palette of color. Its best touch was a skeleton mariachi band that played on a bridge from above.
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| (Pete Toscano on Flickr) |
The rest of the ride had a similarly happy, simple tone, where happy Mexicans smiled and sang to tourists, and street merchants begged riders to buy their wares, all on film. The grand finale was a genuinely weird carousel of people of Mexico strung up as marionettes. The ride ended by going through a barely themed hallway, an unfitting conclusion for any attraction.
Somewhere between concept and execution, El Rio Del Tiempo was mutilated, with a big part of its original concept (including an outdoor portion) cut due to a need to save money on EPCOT Center. What should have been a unique and amazing representation of Mexican culture and history became an odd, constrained mix between If You Had Wings, It's a Small World, and Mexico, with a tone that later in the attraction's run could be taken as offensive to Mexicans. To its credit, I will always remember and enjoy the eerie and ethereal atmosphere (complete with haunting music) that culminated in the Pepper's Ghost Priest, the footage of real Mexico, and that catchy Small World-esque theme song. But as far as entertaining and informing about the profound culture and history of Mexico, it didn't come nearly as close as it should have.
Gran Fiesta Tour
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| (Michael Gray on Flickr) |
Let's be honest; it wouldn't have taken much for Gran Fiesta Tour to not only surpass El Rio Del Tiempo, but also do a great job entertaining and informing guests about Mexico. Although like any other EPCOT Center fan I am extremely wary of character tie-ins at Epcot, especially after the butchering of Maelstrom and the Norway Pavilion by Frozen, the Three Caballeros are not a bad choice at all for an attraction about Mexico. Walt Disney created the Caballeros as the result of a goodwill mission to Central and South America during WWII. Panchito the rooster and Jose the parrot were created specifically for the purpose of representing Latin American culture, entertaining as well as showcasing their respective countries. Saludos Amigos and The Three Caballeros (both of which I desperately need to see) were very travelogue-esque films focused on Central and South America. It is not much of a leap to come to the conclusion that the Three Caballeros should host an attraction about Mexico, a Latin American country. Alas, I do not believe that was the intention of the people responsible for the overlay so much as quickly and cheaply tying in the characters to the ride for merchandise purposes. This is evidenced by the convoluted plot of Donald running off and enjoying the sights of Mexico while his buddies search for him before their big concert, and most of El Rio Del Tiempo being left intact, but with different content on the screens. Thankfully, this meant that the original jungle and temple tableau was left intact, and it still impresses guests to this day.
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| (Inazakira on Flickr) |
Speaking of the screens, Gran Fiesta Tour finally gave them a reason to exist. As Panchito and Jose chase Donald all over Mexico, the vignettes of their story on the screens show all sorts of hilarious antics from both parties. I love seeing Panchito and Jose's close shave with a knife-sharpening chef, and Donald bouncing like a pinball off one of Mexico's famous diving cliffs. But my favorite segment of film is the one that replaces the street merchants. Now there is a huge fiesta where mariachis play and people dance while Jose and Panchito barely manage to keep Donald in their grasp as he reaches for a trio of lovely senoritas. The new film clips that replaced the old travelogue and interpretive dance scenes of El Rio are simply fun, colorful, and full of action, fitting right in place with the Mary Blair-inspired Day of the Dead scene, and the upbeat and rythmic "Three Caballeros" song. The only disappointing aspects of the new films are (1) they are constrained by the specific plot, (2) the entrance into the ruins was stripped of its mist, tomb and Pepper's Ghost priest, the latter two being replaced by a film that starts the adventure, and (3) they are still not in proper sets to give them a realistic space, meaning that most of the ride is an elaborately themed theater for a cartoon. But fortunately, one of those problems with the screens has since been fixed:
The finale of Gran Fiesta Tour used to be disappointing too, as it was just another screen, a big one that replaced the marionette carousel for the grand concert finale. Especially with the abundance of screens and lack of animatronics, this original finale was a pretty mediocre way to end the ride. Then in 2015, WDI revealed one of its best surprises in years; overnight, restored versions of the original Three Caballeros animatronics from the old Mickey Mouse Revue show were installed in the finale of Gran Fiesta Tour. I got my first opportunity to meet these guys in February of this year, and I cannot overstate how impressed I am with the fantastic job they did with upgrading the finale of Gran Fiesta and restoring classic WDW animatronics to boot. This new finale is definitely a marked improvement over the marionette carousel of El Rio, and is a worthy climax for Gran Fiesta Tour.
Trying to set Gran Fiesta Tour against not only El Rio Del Tiempo but the standards of EPCOT Center as well is a challenge. A case can be made that the presence of the Three Caballeros to Mexico's boat ride drowns out all information and entertainment from the original star of the ride itself: Mexico. But was El Rio Del Tiempo any better at effectively presenting the history and culture of Mexico then Gran Fiesta Tour? Both attractions can claim to have a slight edge over the other; El Rio actually tried to present the culture and history of Mexico, but Gran Fiesta Tour, in my opinion, is far better at what it does with its concept then El Rio did with its own concept, and as a result can hold its own against El Rio. Thus, it is my humble opinion that Fiesta Tour not only executed its own concept better then El Rio executed its, but is at least as good at executing El Rio Del Tiempo's concept as El Rio itself was, if not better. The Three Caballeros win this one.
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| Gran Fiesta Finale: Before (Joe Penniston on Flickr) |
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| Gran Fiesta Finale: After (Sam Howzit on Flickr) |
Trying to set Gran Fiesta Tour against not only El Rio Del Tiempo but the standards of EPCOT Center as well is a challenge. A case can be made that the presence of the Three Caballeros to Mexico's boat ride drowns out all information and entertainment from the original star of the ride itself: Mexico. But was El Rio Del Tiempo any better at effectively presenting the history and culture of Mexico then Gran Fiesta Tour? Both attractions can claim to have a slight edge over the other; El Rio actually tried to present the culture and history of Mexico, but Gran Fiesta Tour, in my opinion, is far better at what it does with its concept then El Rio did with its own concept, and as a result can hold its own against El Rio. Thus, it is my humble opinion that Fiesta Tour not only executed its own concept better then El Rio executed its, but is at least as good at executing El Rio Del Tiempo's concept as El Rio itself was, if not better. The Three Caballeros win this one.
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| Adios, Amigos! (Sam Howzit) |
El Rio Del Tiempo: 1 Gran Fiesta Tour: 1
PotentialEl Rio Del Tiempo was a ride with a grand concept it came nowhere close to realizing, but at least it tried. Gran Fiesta Tour did not mean to try, but did so anyway, and it may have made more progress then El Rio on that course with its irresistible mixture of Three Caballeros, Mexico, fun, color, music, and the art of Mary Blair. All the latter needs is to abandon the storyline of Donald being separated from his friends in Mexico, restore the mysterious atmosphere of that original ruin entrance, and redress the sets and films so that they look seamless with each other (and add some more animatronics, both Caballero and human, please!). I would greatly enjoy a romp through Mexico with the Three Caballeros, joining them as they teach us about Mexico, enjoy the country together and in different ways, and then reunite for their Gran Fiesta Tour Concert. I think a lot of people would agree with me.
But no matter how incredible an attraction starring the Three Caballeros may be, there will always be an inherent discord between the main ride and that mysterious, awe-inspiring tableau that starts the ride. When I see the Olmec stone head covered with vines, the simple huts in the distance, and the eerie glow that emanates from both the temple and volcano, it seems to be speaking an unfulfilled promise. That promise is of sailing a River of Time, where people and places from Mexico, both ancient and modern, come together in an epic journey that you undertake. Dreams of this journey could become reality, in the form of a greatly expanded, revised, and brilliant El Rio Del Tiempo.
I've tried my hardest to choose between sailing on the River of Time or having an adventure with the Three Caballeros on their Gran Fiesta Tour, but it seems no matter which one I'd choose I'd never be content with not having both. My final decision as of now is that Gran Fiesta Tour could stay with the improvements I mentioned and the Mexico pavilion would have a fine attraction, but if the Imagineers wanted to dream bigger, they could bring back the spectacular new El Rio Del Tiempo the pavilion deserves (and hopefully find a way to give my amigos the Three Caballeros an attraction of their own). What do YOU think? In any case, I award both El Rio Del Tiempo and Gran Fiesta Tour a point in this final round.
El Rio Del Tiempo: 2 Gran Fiesta Tour: 2
Conclusion: Dead Tie
I would love to hear your thoughts on this split decision.
Sincerely, Kyle
I likewise, find both versions appealing yet not quite complete. There is a lot that could be done, but with Disney abandoning the original vision of EPCOT Center, we will most likely see a Coco version of the attraction. Of course this will only take place if the film does well and Disney can plan a sequel with related merchandise.
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